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a19776194 |
| 003 - CONTROL NUMBER IDENTIFIER |
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SIRSI |
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20230107174223.0 |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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120514s2012 vau000 vleng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1598038346 (dvd) |
| 040 ## - CATALOGING SOURCE |
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| Language of cataloging |
eng |
| Transcribing agency |
JCRC |
| 050 14 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
ND653.B65 |
| Item number |
W66 2012 |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Bent, George R. |
| 110 ## - MAIN ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Washington and Lee University |
| 245 00 - TITLE STATEMENT |
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| Title |
Leonardo da Vinci and the Italian High Renaissance / |
| Statement of responsibility, etc. |
George R. Bent ; The Teaching Company. |
| 250 ## - EDITION STATEMENT |
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| Edition statement |
1st ed. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Chantilly, VA : |
| Name of publisher, distributor, etc. |
The Teaching Company, |
| Date of publication, distribution, etc. |
2012. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
6 DVDs (1080 min.) : |
| Other physical details |
sd. col. ; |
| Dimensions |
4 3/4 in. + |
| Accompanying material |
1 Course Guidebook (vi, 363 p. : ill. ; 19 cm). |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
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| Title |
The Great Courses |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
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| Title |
Fine Arts and Music |
| 440 ## - SERIES STATEMENT/ADDED ENTRY--TITLE |
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| Title |
Visual Arts |
| 500 ## - GENERAL NOTE |
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| General note |
Includes 36 x 30 min. lectures.<br/>Also Includes Course Guidebook. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
The Course Guidebook includes a glossary and bibliographical references. |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
"Leonardo da Vinci and the Italian High Renaissance is Professor Bent's powerful and engrossing look at this grand master, the intriguing world he inhabited and shaped, and the legacies he left behind for us. This 36-lecture course — packed with illustrations and animations that bring you closer than ever before to Leonardo's paintings, sculptures, sketches, and notebooks — is like touring an imaginary and comprehensive exhibit devoted to his entire career. You'll gain fresh insights into his iconic paintings, his important anatomical studies, and his astonishingly prescient visions for machines we now take for granted. But more than that, you'll experience what it was like to live in Leonardo's world and to understand the High Renaissance as it swept through great Italian cities such as Florence, Milan, and Rome." (Publisher's Website) |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
CONTENTS:<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
DISC 1<br/> |
| Title |
1. Introducing Leonardo da Vinci<br/> |
| -- |
2. Who Was Leonardo? Facts and Fictions<br/> |
| -- |
3. Leonardo's Artistic Origins<br/> |
| -- |
4. From Apprentice To Partner<br/> |
| -- |
5. Annunciation: Leonardo's First Commission<br/> |
| -- |
6. A New Kind of Portrait: Ginevra de' Benci<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 2 |
| Title |
7. Leonardo's Early Madonnas |
| -- |
8. Scandal, Reprieve and the Penitent St. Jerome |
| -- |
9. Inventing Early Modern Classicism |
| -- |
10. Arrival in Milan: Madonna of the Rocks |
| -- |
11. Leonardo at Court: Portrait of a Musician<br/> |
| -- |
12. Leonardo and the Ladies |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 3<br/> |
| Title |
13. Threats to the Italian Renaissance: the 1490s<br/> |
| -- |
14. Leonardo the Inventor and Engineer<br/> |
| -- |
15. Vitruvian Man, Perfection, and Architecture<br/> |
| -- |
16. Leonardo the Military Scientist<br/> |
| -- |
17. Leonardo and Flight<br/> |
| -- |
18. Drawing Human Figures and Caricatures<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 4<br/> |
| Title |
19. Colossus: the Sculpture for Ludovico Sforza<br/> |
| -- |
20. The Making of The Last Supper<br/> |
| -- |
21. The Meaning of The Last Supper<br/> |
| -- |
22. Mantua, Isabella d'Este, and Venice<br/> |
| -- |
23. Return to Florence: Sfumato and an Exhibition<br/> |
| -- |
24. Leonardo, Cesare Borgia, and Machiavelli<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 5<br/> |
| Title |
25. Michelangelo and Leonardo<br/> |
| -- |
26. Mona Lisa: La Gioconda<br/> |
| -- |
27. Raphael and Leonardo<br/> |
| -- |
28. Leonardo in Milan and Pope Julius II in Rome<br/> |
| -- |
29. The Anatomical Drawings: his Greatest Works?<br/> |
| -- |
30. In Praise of Painting: Leonardo's Manifesto<br/> |
| 505 ## - FORMATTED CONTENTS NOTE |
|---|
| Formatted contents note |
DISC 6<br/> |
| Title |
31. Leonardo and the Medici in Rome<br/> |
| -- |
32. High Renaissance art from Rome to Venice<br/> |
| -- |
33. Last Years: Leonardo in France<br/> |
| -- |
34. Renaissance Man and Man of the Renaissance<br/> |
| -- |
35. The End of an Era<br/> |
| -- |
36. The Legacies of Leonardo da Vinci<br/> |
| 520 2# - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Leonardo da Vinci and the Italian High Renaissance is Professor Bent's powerful and engrossing look at this grand master, the intriguing world he inhabited and shaped, and the legacies he left behind for us. This 36-lecture course — packed with illustrations and animations that bring you closer than ever before to Leonardo's paintings, sculptures, sketches, and notebooks — is like touring an imaginary and comprehensive exhibit devoted to his entire career. You'll gain fresh insights into his iconic paintings, his important anatomical studies, and his astonishingly prescient visions for machines we now take for granted. But more than that, you'll experience what it was like to live in Leonardo's world and to understand the High Renaissance as it swept through great Italian cities such as Florence, Milan, and Rome." (Publisher's Website) |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
DVD CONTENTS:<br/><br/>DISC 1<br/>1. Introducing Leonardo da Vinci<br/>2. Who Was Leonardo? Facts and Fictions<br/>3. Leonardo's Artistic Origins<br/>4. From Apprentice To Partner<br/>5. Annunciation: Leonardo's First Commission<br/>6. A New Kind of Portrait: Ginevra de' Benci<br/><br/>DISC 2<br/>7. Leonardo's Early Madonnas<br/>8. Scandal, Reprieve and the Penitent St. Jerome<br/>9. Inventing Early Modern Classicism<br/>10. Arrival in Milan: Madonna of the Rocks<br/>11. Leonardo at Court: Portrait of a Musician<br/>12. Leonardo and the Ladies<br/><br/>DISC 3<br/>13. Threats to the Italian Renaissance: the 1490s<br/>14. Leonardo the Inventor and Engineer<br/>15. Vitruvian Man, Perfection, and Architecture<br/>16. Leonardo the Military Scientist<br/>17. Leonardo and Flight<br/>18. Drawing Human Figures and Caricatures<br/><br/>DISC 4<br/>19. Colossus: the Sculpture for Ludovico Sforza<br/>20. The Making of The Last Supper<br/>21. The Meaning of The Last Supper<br/>22. Mantua, Isabella d'Este, and Venice<br/>23. Return to Florence: Sfumato and an Exhibition<br/>24. Leonardo, Cesare Borgia, and Machiavelli<br/><br/>DISC 5<br/>25. Michelangelo and Leonardo<br/>26. Mona Lisa: La Gioconda<br/>27. Raphael and Leonardo<br/>28. Leonardo in Milan and Pope Julius II in Rome<br/>29. The Anatomical Drawings: his Greatest Works?<br/>30. In Praise of Painting: Leonardo's Manifesto<br/><br/>DISC 6<br/>31. Leonardo and the Medici in Rome<br/>32. High Renaissance art from Rome to Venice<br/>33. Last Years: Leonardo in France<br/>34. Renaissance Man and Man of the Renaissance<br/>35. The End of an Era<br/>36. The Legacies of Leonardo da Vinci |
| 520 3# - SUMMARY, ETC. |
|---|
| Summary, etc. |
COURSE GUIDEBOOK CONTENTS:<br/><br/>INTRODUCTION<br/>Professor Biography<br/>Course Scope<br/><br/>LECTURE GUIDES<br/>Lecture 1: Introducing Leonardo da Vinci<br/>Lecture 2: Who Was Leonardo? Facts and Fictions<br/>Lecture 3: Leonardo's Artistic Origins<br/>Lecture 4: From Apprentice To Partner<br/>Lecture 5: Annunciation: Leonardo's First Commission<br/>Lecture 6: A New Kind of Portrait: Ginevra de' Benci<br/>Lecture 7: Leonardo's Early Madonnas<br/>Lecture 8: Scandal, Reprieve and the Penitent St. Jerome<br/>Lecture 9: Inventing Early Modern Classicism<br/>Lecture 10: Arrival in Milan: Madonna of the Rocks<br/>Lecture 11: Leonardo at Court: Portrait of a Musician<br/>Lecture 12: Leonardo and the Ladies<br/>Lecture 13: Threats to the Italian Renaissance: the 1490s<br/>Lecture 14: Leonardo the Inventor and Engineer<br/>Lecture 15: Vitruvian Man, Perfection, and Architecture<br/>Lecture 16: Leonardo the Military Scientist<br/>Lecture 17: Leonardo and Flight<br/>Lecture 18: Drawing Human Figures and Caricatures<br/>Lecture 19: Colossus: the Sculpture for Ludovico Sforza<br/>Lecture 20: The Making of The Last Supper<br/>Lecture 21: The Meaning of The Last Supper<br/>Lecture 22: Mantua, Isabella d'Este, and Venice<br/>Lecture 23: Return to Florence: Sfumato and an Exhibition<br/>Lecture 24: Leonardo, Cesare Borgia, and Machiavelli<br/>Lecture 25: Michelangelo and Leonardo<br/>Lecture 26: Mona Lisa: La Gioconda<br/>Lecture 27: Raphael and Leonardo<br/>Lecture 28: Leonardo in Milan and Pope Julius II in Rome<br/>Lecture 29: The Anatomical Drawings: his Greatest Works?<br/>Lecture 30: In Praise of Painting: Leonardo's Manifesto<br/>Lecture 31: Leonardo and the Medici in Rome<br/>Lecture 32: High Renaissance art from Rome to Venice<br/>Lecture 33: Last Years: Leonardo in France<br/>Lecture 34: Renaissance Man and Man of the Renaissance<br/>Lecture 35: The End of an Era<br/>Lecture 36: The Legacies of Leonardo da Vinci<br/><br/>SUPPLEMENTAL MATERIAL<br/>Leonardo's Notebooks and the Main Codex Collections<br/>Works Discussed<br/>Timeline<br/>Glossary<br/>Biographical Notes<br/>Bibliography |
| 538 ## - SYSTEM DETAILS NOTE |
|---|
| System details note |
DVD, NTSC. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art |
| Geographic subdivision |
Italy. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
High Renaissance. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Leonardo da Vinci. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Music. |
| 710 ## - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
The Teaching Company |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://www.thegreatcourses.com/courses/leonardo-da-vinci-and-the-italian-high-renaissance.html">https://www.thegreatcourses.com/courses/leonardo-da-vinci-and-the-italian-high-renaissance.html</a> |
| Public note |
Publisher's Website. |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
<a href="https://ottawa.bibliocommons.com/v2/record/S26C1328693">https://ottawa.bibliocommons.com/v2/record/S26C1328693</a> |
| Public note |
Check the Ottawa Public Library (OPL) catalog. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Source of classification or shelving scheme |
|
| Koha item type |
Matériaux mélangés |
