000 | 05565nam a22006497a 4500 | ||
---|---|---|---|
999 |
_c1572 _d1572 |
||
003 | OSt | ||
005 | 20221229005910.0 | ||
008 | 180829b ||||| |||| 00| 0 eng d | ||
020 | _a9780776608099 (pbk) | ||
040 | _cJCRC | ||
130 | 0 |
_aRetrato de una nube. _lEnglish. |
|
245 | 1 | 0 |
_aCloudburst : _ban Anthology of Hispanic Canadian Short Stories / _cedited by Luis Molina Lora and Julio Torres-Recinos ; translation directed by Hugh Hazelton. |
260 | 1 |
_aOttawa : _bUniversity of Ottawa Press, _c2013. |
|
300 |
_a306 p. : _bcov. ill. ; _c21 cm. |
||
440 | _aLiterary Translation | ||
440 | _aTraduction littéraire | ||
500 | _aTranslation of: Retrato de una nube. | ||
504 | _aIncludes bibliographical references. | ||
505 | _a"Cloudburst is a milestone in Canadian literature. For over a half-century, beginning with the Spanish Civil War and continuing through the coups d’état and military repression in South and Central America in the 1970s and 80s, Spanish-speaking writers have been arriving in Canada as exiles and immigrants and have been creating new works in their native language. Cloudburst is the first anthology of short stories by Hispanic Canadian writers from across Latin America and Spain to appear in English. Edited by Luis Molina Lora and Julio Torres-Recinos and first published in Spanish as Retrato de una nube: primera antología del cuento hispano canadiense in 2008, Cloudburst is a prodigious collective work, containing forty-two stories by twenty-two authors from nine different countries — Argentina, Bolivia, Chile, Colombia, El Salvador, Guatemala, Mexico, Peru, and Spain — and rendered into English by seven translators. | ||
505 | _aThe stories in Cloudburst reflect the enormous variety of Hispanic writing in Canada today. Each of the authors’ native countries has its own artistic and literary tradition, yet all are bound together by the Spanish linguistic and cultural sphere. Moreover, the women and men in the anthology have settled in cities and towns across Canada, some of them entering into contact with the English-speaking literary world, others with the French. A number of them began writing before they left their homelands, while many of the younger contributors started their careers in Canada. Some of them prefer a traditional literary style, others a more surrealist, experimental, or colloquial approach. All of them are passionate about their writing, and all have gone through the common experience of leaving or being uprooted from the land of their birth and settling in Canada, where they face the challenges and difficulties involved in reestablishing their lives in a largely unknown environment. In Cloudburst, through the prism of translation, they share their latest fiction with English-speaking readers." (Book Cover) | ||
505 | _aCONTENTS: | ||
505 | _aIntroduction | ||
505 | _aThe Past and Present of Hispanic Canadian Literature: An Overview | ||
505 | _aA Look into Cloudburst: The Central Themes | ||
505 |
_rMartha Batiz Zuk:
_t[01] The First Cup of Coffee _t[02] Sweet Valeria |
||
505 |
_rNohora Viviana Cardona:
_t[03] The Faker _t[04] Alfred's Admirer |
||
505 |
_rDiego Creimer:
_t[05] The Meeting |
||
505 |
_rRamon De Elia: _t[06] Twelve Nights |
||
505 |
_rGabriela Etcheverry:
_t[07] The Photographer _t[08] Nightmare |
||
505 |
_rJorge Etcheverry:
_t[09] When We Crossed Over to the Parallel City _t[10] Metamorphosis II _t[11] Disciplation |
||
505 |
_rEnrique Fernandez:
_t[12] The Doll _t[13] The Tortoise's Hole |
||
505 |
_rGilberto Flores Patino:
_t[14] The Knitters of Time _t[15] The Legend of the Snow |
||
505 |
_rAnita Junge-Hammersley:
_t[16] Closing the Loop _t[17] Cultural Carnival |
||
505 |
_rLuis Molina Lora:
_t[18] Gauguin's Imaginary Women _t[19] The Canadian Toy |
||
505 |
_rAngel Mota:
_t[20] The Birds of Djerba _t[21] The Woman with Three Husbands |
||
505 |
_rFelipe Quetzalcoatl Quintanilla:
_t[22] Rainy Night _t[23] From the Thirteenth Floor of a Third-World Building |
||
505 |
_rCamila Reimers:
_t[24] The Metamorphosis of the Panther |
||
505 |
_rNela Rio:
_t[25] Carlota, Always _t[26] Leopolda, Don't Forget Me _t[27] The Paralyzed Hour |
||
505 |
_rCarmen Rodriguez:
_t[28] In the Company of Words _t[29] Breaking the Ice |
||
505 |
_rDavid Rozotto:
_t[30] Parting _t[31] Counterfeit Hero |
||
505 |
_rPablo Salinas:
_t[32] A Brief Account of the New World _t[33] A Trip to Lima |
||
505 |
_rAlejandro Saravia:
_t[34] The Bears of Port Churchill _t[35] Songs from Oruro |
||
505 |
_rBorka Sattler:
_t[36] Anita Brown |
||
505 |
_rRamon M. Sepulveda:
_t[37] The Tigress at the Conference _t[38] The Language Teacher |
||
505 |
_rOscar Armando Tobar:
_t[39] Wheelchair Love _t[40] Black Serpent |
||
505 |
_rJulio Torres-Recinos:
_t[41] With Aurora After _t[42] Tristan |
||
505 | _aPostface: Translating Spanish Polyphony | ||
650 | 0 |
_aShort stories, Canadian _vTranslations into English. |
|
650 | 5 |
_aShort stories, Canadian (Spanish) _vTranslations into English. |
|
650 | 5 |
_aCanadian fiction (Spanish) _vTranslations into English. |
|
700 | 1 |
_aMolina Lora, Luis _d1970- |
|
700 | 1 | _aTorres-Recinos, Julio | |
700 | 1 | _aHazleton, Hugh | |
856 |
_uhttps://press.uottawa.ca/en/9780776608099/cloudburst/ _zPublisher's Website. |
||
856 |
_uhttps://ocul-uo.primo.exlibrisgroup.com/permalink/01OCUL_UO/s28b5q/alma991044883377705161 _zCheck the UO Library catalog. |
||
942 |
_2z _cBK |