000 | 01445cam a2200421 a 4500 | ||
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999 |
_c1831 _d1831 |
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001 | 8344018 | ||
003 | DLC | ||
005 | 20190124035214.0 | ||
008 | 110822s2012 enk b 000 0 eng | ||
010 | _a 2011035424 | ||
020 | _a9781847695895 (pbk) | ||
035 | _a(OCoLC)ocn747713179 | ||
035 | _a(OCoLC)747713179 | ||
040 |
_aDLC _cDLC _dYDX _dUKMGB _dYDXCP _dCDX _dDLC _dJCRC |
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042 | _apcc | ||
050 | 0 | 0 |
_aPE1404 _b.D659 2012 |
100 | 1 | _aDonnelly, Dianne | |
245 | 1 | 0 |
_aEstablishing Creative Writing Studies as an Academic Discipline / _cDianne Donnelly. |
260 |
_aToronto : _bMultilingual Matters, _c2012. |
||
300 |
_aix, 161 p. ; _bcov. ill. : _c21 cm. |
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440 | _aNew Writing Viewpoints | ||
500 | _aAlso available as an ebook through uOttawa collection. | ||
504 | _aIncludes bibliographical references (p. 152-161). | ||
505 | _a"This book advances creative writing studies as a developing field of inquiry, scholarship, and research. It discusses the practice of creative writing studies, the establishment of a body of professional knowledge, and the goals and future direction of the discipline within the academy. This book also traces the development of creative writing studies; noting that as the new discipline matures — as it refers to evidence of its own research methodology and collective data, and locates its authority in its own scholarship — creative writing studies will bring even more meaning to the academy, its profession, and its student body." (Publisher's Website) | ||
505 | _aCONTENTS: | ||
505 | _aList of Figures | ||
505 | _aAcknowledgments | ||
505 | _aIntroduction: The Emergence of Creative Writing Studies | ||
505 | _aThe Disciplinary Status of Creative Writing/Creative Writing Studies | ||
505 | _aThe Emergence of Creative Writing Studies – Where to Begin? | ||
505 | _aEstablishing Creative Writing Studies as an Academic Discipline | ||
505 | _aSECTION 1 | ||
505 | _aA Taxonomy of Creative Writing Pedagogies | ||
505 | _aWhere Meaning Lies – A Multi-Faceted Approach | ||
505 | _aOrientation of Critical Theories | ||
505 | _aThe Objective Theory as New Criticism | ||
505 | _aThe Expressivist Theory | ||
505 | _aThe Mimetic Theory as Imitable Functions | ||
505 | _aThe Pragmatic Theory as Reader-Response | ||
505 | _aSECTION 2 | ||
505 | _aThe Writing Workshop Model | ||
505 | _aA Workshop Survey | ||
505 | _aDefining the Workshop Model | ||
505 | _aA Study of the Workshop Model | ||
505 | _aHow Our Workshop History Informs Our Praxes | ||
505 | _aPerceptions and Practice | ||
505 | _aDeveloping Markers of Professional Difference | ||
505 | _aThe Case for Creative Writing Research as Knowledge | ||
505 | _aThe Workshop Model: Final Arguments | ||
505 | _aSECTION 3 | ||
505 | _aThe Academic Home of Creative Writing Studies | ||
505 | _aControl of Space, Domain and Power | ||
505 | _aThe Academic Home of Creative Writing Studies | ||
505 | _aCONCLUSION: The Legitimacy of Creative Writing Studies | ||
505 | _aReferences | ||
650 | 0 |
_aCreative writing _xStudy and teaching. |
|
856 |
_uhttp://www.multilingual-matters.com/display.asp?sort=sort_date/d&sf1=title_exact&st1=establishingcreativewritingstudiesasanacademicdiscipline _zPublisher's Website. |
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942 |
_2z _cBK |